Lucy Moloney

Lucy Moloney’s work explores themes of the built environment and the often forgotten ‘in between’ spaces in city and suburban contexts.  She is inspired by the urban fabric of the city periphery where the march of time overlays new forms over old, often leaving fragments of green space.  Her work combines form and content, colour and light, line and surface texture, in a contained yet energetic tension where the shadowy depths are the backdrop for stories of joy, pain and all that is ‘in between’.

Juno Gemes is an activist movement photographer who took up the camera to facilitate communication across cultures, made visible from within a collaborative personal cross-cultural practice since the 1970s based on trust, friendship, and respect. She has always collaborated with both traditional and contemporary dancers in visual art works as well.

Gemes is also known for her portraiture and photo essays which have been published in The National Times, SMH, The Monthly, The Good Weekend, The Encyclopedia of Aboriginal Australia, Photofile, Look Contemporary Photography since 1980, Meanjin, Heat, Cordite, Poetry USA, The Times Literary Supplement UK, The Library of Congress USA, European Photography Magazine, Visual Anthropology Review UK, and The History of Photography Oxford UK.

Juno Gemes’ studies in photography include attending a masterclass with Lisette Model “Incontra Personale” at Venice Biennale in 1979. She was also awarded a British Arts Council Grant in 1979 to attend The Oxford Photography Workshop with Aaron Siskind, David Hurn, and Brian Griffin. In 1998, Gemes was awarded a Fellowship from AIATSIS to document her archive In Our Time Photographs and Texts from the Movement 1974 – 1994. In 2016, she attended a workshop with Luther Gerlash at The International Centre for the Arts, Monti Castello de Vibio, Italy, concentrating on processes used in the first fifty years of photography.

Juno Gemes has had 20 solo exhibitions in Sydney, London, Budapest, Paris, and at St. Louis University, USA, where during the Evidence exhibition, she was The Kristin Peterson Speaker on Photography in 2015.

Between 1986 and 2010, Juno Gemes and her partner poet Robert Adamson were Co-Directors of Paper Bark Press. In 1998, The Language of Oysters poems by Robert Adamson, photographs by Juno Gemes, was published by Craftsman House. This acclaimed publication was launched in London at Australia House by Robert Whitaker and in Australia at The State Library of NSW by David Malouf.

Juno Gemes’ works are held in the collection of the National Portrait Gallery, National Gallery of Australia, National Museum of Australia, AIATSIS, National Library of Australia, Queensland Art Gallery, Queensland State Library, State Library of NSW, Art Gallery of NSW, Art Gallery of South Australia, Macquarie University Art Collection, Churchill College Cambridge Collection, Lord Grey Gowrie Collection Wales UK, Kluge-Ruhe Collection, University of Virginia USA.

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OPENING HOURS
Wednesday - Friday 12:00 - 5:00 pm
Saturday 12.00 - 4.00 pm
Other times by appointment

We acknowledge the traditional custodians of the land on which we live and work– the Gadigal/Bidjigal people of the Eora Nation. We pay respects to their elders past, present and emerging.